Which of the following modes can be interpreted from the white keys from B to B?

The correct answer is the Locrian Mode, which can be derived from the white keys of a piano when played from B to B.

To understand why this is correct, it's essential to know that the Locrian Mode is the seventh mode of the major scale (or more accurately, the seventh mode of the diatonic scale). When looking at the notes from B to B on the keyboard, you will notice that you are essentially playing a C major scale starting on the second degree, which consists of the following notes: B, C, D, E, F, G, A.

When you analyze the intervals within this collection of notes, you can see that they create the specific sequence of whole and half steps that defines the Locrian Mode. The unique characteristic of this mode is that it has a diminished fifth interval (B to F), which is a defining feature of the Locrian sound, giving it a distinctively tense and unresolved quality.

In contrast, the Aeolian Mode (natural minor) starts on A, the Dorian Mode starts on D, and the Phrygian Mode starts on E. Therefore, these modes do not fit within the framework created by the white keys from B to B, as the intervals would